For 2 violins. First printing. One movement work. Two performance scores, 3 p.

Needham finds a fascinating model for his second brass quintet in the mosaic art of Sonia King. The concept is to build a work from multiple smaller fragments, all of which combine to create a cohesive

Continuing his celebrated series of Latin-inspired dance suites for two flutes and piano, Gary Schocker's Accident Prone (Four Dances for Two Flutes and Piano) has all the sizzle and charm of his

Airspace is an 11 minute work commissioned by the Monmouth Winds, for whom Schocker's Sextet for wind quintet and piano was also composed. Evoking four contrasting outdoor spaces

This sprightly Allegro movement from Mozart's Divertimento No. 4 has been expertly arranged for brass trio. The result is quintessential Mozart and suitable for high school programs and

Welcher's fascinating work for soprano sax is both a refraction of Mendelssohn's music for A Midsummer Night's Dream and his own incidental music to Shakespeare's comedy. The work's

The six Brandenburg Concertos are among the most familiar of Bach's works. Among the six, the third is a wondrous experience for performers and audience, with its fascinating use of

Following the Capitol Quartet's commission and celebrated premiere of The Mechanics, Carter Pann composed this short encore piece for the Capitol Quartet as a written-out improvisation. The players

For solo violin. First printing. Composed for Jennifer Koh who premiered it as part of the 2016 New York Philharmonic Biennial. Inspired by the arpeggiated preludes from Bach's suites. Score, 3 p.

Paganini’s Caprice No. 24 (originally for violin) is the famous theme and variations on which countless composers have written their own “Paganini Variations.” When Jasmine Choi recorded

Celestial Bodies was commissioned by Powell flutes in celebration of Philip Dikeman, and premiered at the gala closing concert of the 2017 NFA convention. Composed with a lilting, moderate 6/8

The Robert Russell Bennett Project of Maurice River Press addresses the unpublished works of this uniquely American treasure. A Leading arranger of Broadway and popular music over a span of decades, Bennett

Previously known only through a spurious edition in G Major, the authentic Concertino in F was recently discovered in Italy by Pedro Diaz, English Hornist of the Metropolitan Opera Orchestra. Diaz

Premiered in October 2018 by the Toledo Symphony Orchestra, principal tubist David Saltzman as soloist, the Concerto features three movements with a cadenza between the second and third. Adler likens the

Ellen Zwilich has enjoyed a lifelong love of chamber music for mid-size ensembles and atypical scorings. Her fascination for Schubert's "Trout" Quintet has inspired several works that include

Inspired by the alluring human-like sound of the Ney (a Persian bamboo flute), Ranjbaran aimed not only to highlight the modern flutist's ability to play agile and brilliant passages, but also to emulate

Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby's new edition is prepared for piccolo, flute and piano - remaining compatible with available orchestral